The 2020 Academy Awards
Parasite makes film history
By Zeke Trautenberg
In a landmark Academy Awards, Bong Joon Ho’s Parasite won the first non-English-language film to win the Best Picture Prize in 92 years of Oscars history. Accepting the award with the movie’s cast standing behind her, the film’s producer Kwak Sin Ae remarked, “I feel like a very opportune moment in history is happening right now.” The award capped a triumphant night for the South Korean film, which garnered awards for Best Director, Best Original Screenplay, and the new category of Best International Film. Accepting the award for Best Director, Bong Joon Ho thanked fellow nominee Martin Scorsese for inspiring him as a burgeoning filmmaker, “When I was young and studying cinema, there was a saying that I carved deep into my heart, which is, the most personal is the most creative.” Joon Ho’s film about social inequality and class tension is a fitting allegory for an age of global inequality and xenophobia. Its wins reveal that perhaps the Academy has changed since its push to create a more diverse and, by extension, open-minded voting bloc after the #OscarsSoWhite scandal.
This year’s Academy Awards was overshadowed by the lack of representation of women in the categories of Best Director and Best Picture. Only five women have been nominated in the category of Best Director, a shamefully small number which will stand for another year. Maya Rudolph and Kirsten Wiig captured the mood of critics and audience members alike, with their droll back and forth about “seeing red.” The discord of the night was captured by Janelle Monae, who opened the show with a rendition of “Won’t You Be My Neighbor?”, while calling out the Academy for the lack of female director nominees.
There were also some classic Oscar moments, including Hollywood crowning its favorite stars Brad Pitt and Laura Dern. As well as Penélope Cruz’s heartfelt recognition of international filmmakers who shaped her love of cinema.
There were also some memorable speeches. Accepting the award for Best Actor, Joaquin Phoenix delivered a rambling, if heartfelt condemnation of humanity’s unhindered destruction of our planet. And Renée Zellweger, accepting the award for Best Actress, thanked the iconoclastic trio Selena, Serena, and Bob Dylan. And in a moment of unintentional irony, Tom Hanks offered invited viewers to visit the Academy’s new museum, whose delays and cost overruns embody the organization’s ineptitude, love of infighting, and clumsy engagement with its own history.
Another highlight of the evening was Cynthia Erivo’s performance of the gospel-tinged “Stand Up” from Harriet. Wearing high-collared gold dress, her celebration of Harriet Tumban was a kind of sequel to Spike Lee’s rousing speech recognizing the four hundredth anniversary of slavery at last year’s ceremony.
The Oscars are over and now is the time to watch the year’s best, Oscar-less films: Tamara Kotevska and Ljubomir Stefanov’s documentary Honeyland, a portrait of solitary life enlivened by the world’s worst neighbors; Navid Lapid’s Synonyms, an unsettling portrait of a young Israeli man who throws himself into another culture while looking to escape his past; Christian Petzold’s Transit, an allegory of a fascist society set in a world too close to our own; Jia Zhangke’s Ash is Purest White, a love story spanning China’s vertiginous development in the first two decades of the twenty-first century; and Alex Ross Perry’s Her Smell, featuring Elizabeth Moss in the best performance of the year as a punk rocker struggling with addiction and her self-destructive instincts.
Now let us all embrace Bong Joon Ho earnest expression of gratitude and relief upon being named Best Director, “Thank you, I will drink into the next morning. Thank you.”